Blue Note Records has announced the next run of titles in the Classic Vinyl Reissue Series, which presents all-analog 180g vinyl reissues that are mastered by Kevin Gray from the original master tapes and manufactured at Optimal. Curated by Don Was and Cem Kurosman, the series continues its... read more
Blue Note Records has released Forces of Nature: Live at Slugs’, a never-before-issued live recording of jazz legends McCoy Tyner and Joe Henderson leading a stellar quartet with bassist Henry Grimes and drummer Jack DeJohnette at the hallowed lost NYC jazz shrine, Slugs' Saloon, in 1966.... read more
Blue Note Records has signed the acclaimed trumpeter and composer Brandon Woody, a talented young Baltimore-born and based jazz artist who has been turning heads in the jazz world and beyond in recent years. Woody has just finished recording his debut album featuring his longtime band Upendo, which... read more
The Blue Note Records story has unfolded over the past 85 years with equal regard for jazz’s past and its future, a seamless blend of tradition and innovation, and a mission to elevate the greatest young talent in jazz. Out Of/Into, the all-star collective that began its life earlier this year as... read more
Blue Note Records announces the launch of the Tone Poet Society, a new subscription service dedicated to the Tone Poet Audiophile Vinyl Reissue Series. Today, we're also announcing the 2025 line-up of the acclaimed series which is produced by the “Tone Poet” Joe Harley and features definitive... read more
The great alto saxophonist, NEA Jazz Master, and Blue Note legend Lou Donaldson passed away on November 9 at 98 years old his family has announced. Born in Badin, North Carolina on November 1, 1926, Donaldson’s early style was deeply influenced by Charlie Parker, though he soon developed his own... read more
By Evan Haga Little Big III is the second album that pianist Aaron Parks has released on Blue Note as a bandleader, following 2008’s Invisible Cinema, a powerfully modern, post-genre concept for improvised music in the 21st century. Which makes it a homecoming of sorts. And like any important homecoming, it gathers its meaning by placing the profound changes that life brings against a backdrop of... read more
By Marcus J. Moore You don’t appreciate growing up until you look in the mirror and notice something’s different. Though maturing in itself is the act of physical and hormonal evolution, it’s not until you’re in a foreign city, eating something an elder used to cook to see how it compares, that you long for yesteryear. You start to miss that rickety screen door and the couch that no one could sit on. You... read more
By John Murph Saxophonist Walter Smith III pays homage to his hometown of Houston, Texas on his sophomore Blue Note album, three of us are from Houston and Reuben is not. The album’s wry title signifies the lineup, which includes fellow Houston natives – pianist Jason Moran and drummer Eric Harland – while bassist Reuben Rogers, who hails from the Virgin Islands, rounds out the quartet. Together they... read more
By Dan Ouellette Philosopher, poet, and shaman of jazz, tenor saxophonist Wayne Shorter followed up on his 1964 debut for Blue Note, Night Dreamer, with another timeless album, JuJu, recorded a mere three months later on August 3 at Rudy Van Gelder’s studio. After five years as saxophonist and composer/musical director with Art Blakey’s Jazz Messengers—a considerably long tenure with the band that usually... read more
By Evan Haga After 27 years and nearly 20 albums, it still bears repeating that Bill Charlap is one of the great jazz piano players, and that his trio with bassist Peter Washington and drummer Kenny Washington is one of the great working jazz groups of our day. But what does that mean, and why does it need reiterating? It means everything that can be heard on the Bill Charlap Trio’s new Blue Note release,... read more